Stepping into Japanese artist Sebastian Masuda’s installation Colorful Rebellion — Seventh Nightmare feels like stumbling into a wonderland that is simultaneously vividly bright, candy-sweet, and disorienting. This installation, which filled the Kianga Ellis Projects in Chelsea, New York earlier this year, features a room bursting with manufactured objects of cuteness, including bundles of fake fur, stuffed animals, plastic jewelry, girl’s hair accessories, dollhouses, and other colorful toys that completely cover the walls and ceiling of the room. In the middle of the room is a bed, which visitors could lay upon and gaze up at the explosion of “Harajuku kawaii” closing in on them from every direction.
Read the whole story on My Modern Met.
Monday! (via kateoplis)
I LOVED this interview with the New Yorker cartoon editor who wrote this piece, especially this thought:
…humor is a cognitive process. It’s a creative process not only on the part of the cartoonist, but on the part of the viewer. And I think that’s very interesting because that will be analogous to the “a-ha moment” in scientific invention or when you get a crossword puzzle.